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Technical Specifications - Sony Z 7 Camcorder

Camera section 

Supplied Lens Carl Zeiss Vario-Sonnar T* zoom lens, 12x (optical), f = 4.4 to 52.8 mm, f = 32.0 to 384 mm* at 16:9 mode, f = 39.5 to 474 mm* at 4:3 mode, filter diameter: 72 mm

Built-in filter Clear, 1/4, 1/16, 1/64

Imaging system 1/3-inch, progressive 3 ClearVid CMOS Sensor system with Exmor technology

Picture elements Approx. 1,037,000 pixels (effective), approx. 1,120,000 pixels (total)

Focus Auto,manual (focus ring/one push auto/infinity/AF assist/ focus macro)

White balance Auto, one-push auto (A/B positions), indoor (3200 K), outdoor (selectable level -7 to +7, approx. 500K/step), manual WB Temp (selectable 2300K to 15000K, 100K/step)

Manual shutter speed Auto: 1/50 - 1/1750

Manual: 50i/25p: 1/3 - 1/10000

Gain -6, -3, 0 , 3, 6, 9, 12, 15, 18, 21 dB

Minimum illumination 1.5 lux (auto gain, auto iris, 1/25 shutter)

 VTR section 

Recording format HDV1080/50i, DVCAM, DV SP 576/50i (PAL)

Play out/Down conversion format HDV1080/50i, DVCAM, DV SP 576/50i (PAL)

Playback/Recording time HDV/DV SP: Max. 63 min with PHDVM-63DM cassette

DVCAM: Max. 41 min with PHDVM-63DM cassette

 Input/Output connectors 

LANC Stereo mini-mini jack (ø2.5 mm)

Digital video output HDMI connector

Headphone Stereo mini jack (ø3.5 mm)

Audio/Video output 10-pin connector A/V OUT jack (composite, unbalanced audio x2ch with the supplied cable)

Component video output Component out jack (special connector)

HDV/DV input/output i.LINK interface (IEEE 1394, 6-pin)

XLR audio input XLR 3-pin female x 2ch

 Built-in output devices 

LCD view finder 0.45-inch type (Viewable area measured diagonally), approx. 1,226,880 dots (852x480x3[RGB]), 16:9 aspect ratio

LCD monitor 3.2-inch type (Viewable area measured diagonally), XtraFine LCD, approx. 921,600 dots, hybrid type, 16:9 aspect ratio

 General 

Mass Approx. 2.4 kg (5 lb 4 oz) (w/ the supplied lens, w/o tape, battery)

Power requirements DC 7.2 V (battery pack), DC 8.4 V (AC adaptor)

Power consumption HDV Approx. 7.0 W (with ECM-XM1 / LCD EVF ON)

Power consumption DVCAM/DV Approx. 6.8 W (with ECM-XM1 / LCD EVF ON)

Operating temperature 0 to 40 °C (32 to 104 °F)

Storage temperature -20 to +60 °C (-4 to 140 °F)

 Supplied memory recording unit 

Recording media CompactFlash card (2GB or bigger, 133x or faster) (not supplied)

File system FAT32

File format HDV .M2T

File format DVCAM/DV .AVI (DV-AVI, type 1) or .DV (Raw-DV)

Connectors special hot shoe

i.LINK-6pin (on the supplied cradle)

DC power input (on the supplied cradle)

infoLITHIUM L series battery slot (on the supplied cradle)

NEW Interchangeable Lens System

This camcorder is fitted with a new 1/3inch interchangeable lens system allowing customers either to use the supplied Carl Zeiss lens or use a whole range of other lenses available on the market. 

• This is the first compact camcorder to offer interchangeable lens options. 

• Flexible usage - the camera can be used for a myriad of different applications using different lenses, from TV work, through to budget movie making and with the use of stills lenses, wildlife videography. 

• Various optional lens adaptor rings will allow conversion to 1/2inch or 2/3inch, plus an additional lens adaptor for Sony Alpha lenses. 

• The supplied lens features professional operation with a new manual focus ring and zoom and iris rings.

NEW 1/3inch ClearVid CMOS Processor

Newly developed 1/3inch x 3 ClearVid CMOS processor offers high resolution, high sensitivity, wide dynamic range and excellent colour reproduction. 

• Offers greater resolution than existing pixel-shift technologies regardless of the balance between colour elements. 

• Offers great low-light capabilities especially important for camera operators who cannot control their ambient lighting., e.g. wedding videographers. 

• Lower power consumption than traditional CCD's. 

• 'Exmor' technology employed in the the new CMOS processor reduces noise in the A/D process.

NEW Selectable 25p Progressive Modes

The HVR-Z7E offers the ability to choose between a 25p scanning mode (sames as HVR-V1E) but also a 25p 'native' recording mode. In this native recording mode the picture is both scanned and recorded as a progressive image. 

• Further improves the progressive reproduction by both scanning and recording progressively. 

• Provides further flexibility of use. e.g. The camera can be used for a variety of applications from budget-movie making in 25p mode to standard interlace TV productions. 

• Offers camera operators the use of the progressive 'filmic look', coupled with gamma curve correction makes the camera ideal for movie production.

Switchable Recording and Playback- HDV1080i/DVCAM/DV

The HVR-Z7E can switch between HDV1080i, DVCAM, and DV recording, providing full flexibility to record in either standard definition or high definition depending on your production needs

Built-in Down-converter for SD Production

The HVR-Z7E can convert material from 1080i down to 576i, and output the video signals through its i.LINK interface and other SD output connectors.

This allows users to edit recorded material with a compatible nonlinear editing system using current DV editing software, as well as record SD signals to an external VTR.

1/3-inch type 3 ClearVid CMOS Sensor System

The newly developed 1/3-inch type 3 ClearVid CMOS Sensor™ system has 45-degree rotated pixels on each chip in order to increase the signal density, while each pixel maintains sufficient surface area.

In combination with Enhanced Imaging Processor™ (EIP), the 3 ClearVid CMOS Sensor system achieves high resolution, high sensitivity, wide dynamic range, and excellent colour reproduction.

The pixel shift interpolation technique has been traditionally used in low-end 3CCD camcorders. However, it normally requires the combination of all three colour element (RGB) signals to maximize resolution. If an object lacks one or more colour elements, the resolution of the object may be degraded.

The 3 ClearVid CMOS Sensor system is different. It can always produce maximum resolution, regardless of the balance between colour elements, thanks to its unique and sophisticated interpolation technology.

Enhanced Functionality via the Technology of "Exmor"

The HVR-Z7E offers cutting-edge features, such as the technology of "Exmor" developed by Sony, which utilizes the full potential of the 3 ClearVid CMOS Sensor system.

The technology of "Exmor", which features the column-parallel A/D conversion technique, is also used in the PMW-EX1 XDCAM EX camcorder and Alpha Digital SLR (Single Lens-Reflex) camera from Sony.

Multiple A/D (analog to digital) converters on each pixel row convert analog signals to digital as soon as they are generated, unlike traditional technology that only has one A/D converter on each chip. The technology of "Exmor" can eliminate the influence of external noise that enters the signal chain during transfer to the A/D converter, resulting in high-quality digital signals with extremely low noise. This significantly enhances shooting in low-light environments.

By adopting this groundbreaking technology, the new 1/3-inch 3 ClearVid CMOS Sensor system enables the HVR-Z7E to achieve a low light sensitivity of just 1.5 lux.

This will be of extreme importance to customers who shoot in lighting conditions that they can't control, e.g. wedding videographers.

Wide Range of Lenses

The flexible bayonet lens attachment system allows you to use a wide range of lenses.

Standard 1/3-inch HD video lenses, from manufacturers such as Fujinon and Canon, can be attached directly to the HVR-Z7E.

If you'd like to attach a 2/3-inch or 1/2-inch HD video lens on to the HVR-Z7E, it is possible to do so by adding a standard lens adaptor from the lens manufacturer. The HVR-Z7E camcorder has 12-pin lens connectors allowing compatibility with professional ENG lenses.

This feature is very useful not only for those who already have these professional HD video lenses, but also for those who prefer to use HD digital cinema lenses for their unique contrast, colour, and atmosphere.

Carl Zeiss Lens for HD Video as Standard

A high-quality, multi-purpose Carl Zeiss lens for HD video comes as standard with the HVR-S270E and HVR-Z7E. Stunning resolution and contrast is achieved thanks to the Carl Zeiss Vario-Sonnar™ T* coating, which suppresses unwanted reflections. A specially designed wide-angle lens is also available as an option, to suit a diverse range of shooting requirements.

Alpha Lens Compatibility

With a special adaptor from Sony, it is also possible to use the Alpha lens series designed for Sony Digital SLR still cameras. By using Alpha lenses in various configurations, creative effects can be achieved. This approach is ideal for filmmakers on a budget or those who already own Alpha lenses.

25p HDV Native Progressive Recording Modes

The HVR-Z7E newly features 25p HDV native progressive recording modes.

The 3 ClearVid CMOS Sensor system and EIP create true 1080p images, which can then be recorded as progressive signals by the HVR-Z7E in HDV format.

The progressive HDV stream can be output from an i.LINK connector and used for progressive editing with compatible NLE software.

Native progressive recording modes are suitable for output to film, CG composition, viewing on a progressive monitor, or as an Internet movie.

Note: interlaced video is output from connectors other than i.LINK

25p Progressive Scan Modes

In these modes, the 1080p image captured by the 3 ClearVid CMOS Sensor system is also recorded as an interlaced signal by dividing each frame into two fields. This enables compatibility with current editing and monitoring equipment that only accept interlace signals, while maintaining the quality of the 1080p image.

Progressive scan modes are suitable for feature films, documentaries, and music videos, which have to be recorded as interlaced video for viewing on interlaced monitors, but want to offer a "progressive look" to their motion.

A streamlined nonlinear editing workflow for HDV

HDV signals can be recorded as a file on non-tape media. For example, when using the supplied CompactFlash (CF) solid-state memory recording unit - images can be stored on a standard CF card for quick nonlinear editing. The optional HVR-DR60 Hard Disk Recording Unit can be used in the same manner, with images being recorded on to its large-capacity 60GB hard drive, which provides 4.5 hours of recording time.

Technical Specifications - Sony Z 1 Camcorder

Lens Carl Zeiss Vario-Sonnar T* zoom lens, 12x (optical)

f = 4. 5 to 54 mm

f = 32.5 to 390 mm (*2) at 16:9 mode

f = 40 to 480 mm (*2) at 4:3 mode

F = 1.6 to 2.8, filter diameter: 72 mm

Built-in filter 1/6 ND, 1/32 ND

Focus Auto, manual (focus ring/infinity position), one push auto

Imaging device 3-chip 1/3-inch type CCDs with a 16:9 aspect ratio

Picture elements Approx. 1,070,000 pixels (effective), approx. 1,120,000 pixels (total)

White balance Auto, one-push auto, indoor (3200 K), outdoor (5800 K ±7 steps)

 Shutter speed 

60i/NTSC mode 1/4, 1/8, 1/15, 1/30, 1/60, 1/90, 1/100, 1/125, 1/180, 1/250, 1/350, 1/500, 1/725, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/6000, 1/10000 s

50i/PAL mode 1/3, 1/6, 1/12, 1/25, 1/50, 1/60, 1/100, 1/120, 1/150, 1/215, 1/300, 1/425, 1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000, 1/10000 s

Exposure Auto, manual

Gain 0, 3, 6, 9, 12, 15, 18 dB (adjustable for H, M and L gain positions)

Minimum illumination 3 lx with F1.6 at 18 dB

Recording format 1080/60i, 1080/50i, 480/60i (NTSC), 576/50i (PAL)

Play out/Down conversion format 1080/60i, 1080/50i, 480/60i (NTSC), 576/50i (PAL), 480/60p, 576/50p,

 Tape speed 

HDV/DV SP Max. 18.812 mm/s with PHDVM-63DM cassette

DVCAM Max. 28.218 mm/s with PHDVM-63DM cassette

 Playback/Recording time 

HDV/DV SP Max. 63 min with PHDVM-63DM cassette

DVCAM Max. 41 min with PHDVM-63DM cassette

Fast forward/Rewind time Approx. 2 min 40 s with PHDVM-63DM cassette

Audio/Video input/output AUDIO/VIDEO jack x1

S-video input/output Mini-DIN 4-pin x 1

Component video output COMPONENT OUTPUT jack

i.LINK 4-pin

XLR audio input XLR 3-pin female x 2, 327 mV, -60 dBu: 3 k?, +40 dBu: 10.8 k?, power supply: approx. 40 V

Headphone Stereo minijack (3.5 mm)

LANC Stereo mini-minijack (3.5 mm)

Color LCD viewfinder 0.44-inch type, approx. 252,000 pixels (1120 x 225), hybrid type

Color LCD monitor 3.5-inch type, approx. 250,000 pixels (1120 x 224), hybrid type

Microphone Stereo type, noise reduction on/off

Mass Approx. 2.1 kg (4 lb 10 oz) (camcorder only)

Power requirements DC 7.2 V (battery pack)

 Power consumption 

HDV Approx. 8.0 W (recording mode with LCD viewfinder on)

DVCAM/DV Approx. 7.6 W (recording mode with LCD viewfinder on)

Operating temperature 0 to 40 °C (32 to 104 °K)

Storage temperature (*2) These values are calculated to be equivalent to the 35 mm film.

 Supplied Accessories 

Size AA (R6) battery

Shoulder trap

Shoe adaptor

RMT-841 wireless Remode Commander

Power cord

Operating instructions

NP-F570 InfoLITIUM rechargeable battery pack

Lens hood

Large eyecap

Connecting cord

Compoent video cable

Cleaning cassette

AC-VQ850 AC adaptor/charger

A/V connecting cable

An affordable way to enjoy High Definition

Through the HDV format Sony's HVR-Z1E allows you to capture High Definition pictures on a standard DV format cassette - providing both a highly cost effective format and full 1080 line resolution.

The ability to choose the most appropriate recording format for your production

With the Sony HVR-Z1E, you are able to switch between HDV, DVCAM and DV recording giving you full flexibility to record in either Standard or High Definition depending on your production needs.

Designed for Professional Use

As a professional product, Sony recognises that your needs are different to that of a consumer. As a result the HVR-Z1E incorporates more than 40 extra functions over the consumer camcorder HDR-FX1E to help support you and your production needs.

Easy integration to the way you already work - convert from HDV to Standard Definition if required.

Continuity of Workflow can be very important. Enjoying the benefits of the HVR-Z1E does not mean that you need to change the way you work. Like DVCAM, i.LINK (IEEE1394) provides connectivity to PC based editing systems. In addition, you can choose to shoot in HDV and use the in-built down-converter to output in DVCAM allowing editing and final production to be carried out in Standard Definition in the usual way.

Cinema-look Shooting

The HVR-Z1E offers the capability to provide a cinema-look to your production images using Cineframe™ 25 Mode (25 frame progressive-look effect) and 2-mode Cinematone Gamma™.

AC Adaptor/Charger included as standard

AC Adaptor/Charger AC-VQ850 is supplied as standard with the HVR-Z1E providing great value for money

HDV / DVCAM / DV Switchable

Providing professional users with the flexibility to choose the format that suits the needs of their production and offering an easy migration from a Standard Definition environment.

Built-in converter to take HDV images to Standard Definition

The flexibility to film your footage in HDV and use the camera's down-converter to output Standard Definition pictures if required.

50Hz / 60Hz (PAL / NTSC) Switchable

Allowing you to make your productions on a worldwide basis, without the need for two separate camcorders with each standard.

2ch Audio XLR Inputs

The HVR-Z1E offers the recording of audio by providing both an in-built stereo microphone and XLR inputs for an external microphone supplying +40V phantom power.

2ch Independent Audio Rec Level Control

Intuitive control of audio recording level is possible with independent 2-channel dials.

Time Code Preset

Supports professional operation with flexible Time Code and User settings.

B/W & Colour Switchable Viewfinder

Allowing you to choose either a colour display or Black & White display on the Viewfinder depending on your preference.

Simultaneous Operation of LCD Panel & Viewfinder

Allowing you greater flexibility to focus shots accurately via Viewfinder while simultaneously framing images via the fold-out LCD Panel.

6 Assign Buttons

6 Assign Buttons are prepared to allow you to customise your camera. 6 frequently used functions including Hyper Gain, AE Override, White Balance Level for Outdoor, and Safety Zone Marker can be selected from over 10 available parameters.

Six Assign Buttons

Functions frequently used in the field can be assigned to six Assign Buttons (push buttons), allowing operators to make rapid changes under field conditions.

Technical Specifications - Sony PD 170 Camcorder

Lens 12:1 Variable Speed (1.2-22 sec) zoom lens (48x Digital zoom) f =6.0 to 72.0mm; F1.6 to 2.4; Filter Diameter 58mm

Focus Auto/Manual(ring)/Infinity/One push auto

Imaging Device 3x 1/3 inches CCD, Gross 450 000 pixel /Effective 400 000 pixel, Progressive/Interlace Scan

White Balance Auto/One-push/Outdoor(5800K)/Indoor(3200K)

Shutter Speed 1/3, 1/6, 1/12, 1/25, 1/50, 1/60, 1/100, 1/120, 1/150, 1/215, 1/300, 1/425, 1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000, 1/10000 second

Iris Auto/Manual

Gain 0, 3, 6, 9, 12, 15, 18dB

Minimum Illumination 1 Lux

Horizontal Resolution 530 lines

Viewfinder 180,000 dot Black&White LCD

Built-in Speaker Dynamic Speaker 20mm

LCD Hybrid, 2.5 type 211,200 dots (960H x 220V)

Tape Speed Approx. 28.2 mm/sec (DVCAM mode)

Approx. 18.8 mm/sec (DV SP mode)

Maximum Recording Time 40 minutes (DVCAM mode)

Video Signal CCIR Standard, PAL colour system

Connectors S-Video IN/OUT: Mini-DIN 4 pin x 1 

Video IN/OUT: RCA pin x 1

Audio IN/OUT: RCA pin x 2

Audio IN: XLR 3-pin female, x 2

i.LINK(DV IN/OUT): 4-pin x 1

Headphone: Stereo mini-jack (0.35mm) x 1

External DC IN: 8.4 V for AC-L15 AC adaptor

LANC: Stereo mini-mini jack(0.25mm) x 1

Power Consumption REC with Viewfinder only: 4.0 W

REC with LCD only: 5.4W

Playback on LCD: 3.5 W

Dimensions / Mass 136 x 180 x 456 mm / Approx. 1.5kg

(camcorder only, excl. microphone, battery, tape) 

 Audio Signal 

Rec 48KHz/16-bit, 32KHz/12-bit

Playback 48KHz/16-bit, 32KHz/12-bit, 32KHz/16-bit, 44.1KHz/16-bit

 Supplied Accessories 

Wireless Remote Commander (with 2x AA Dry Batteries) RMT-811

Carrying Belt

AV Cable (RCA PIN x 3)

i.LINK Cable Strap

Lens Cap

Lens Cap built-in Hood

Lens Hood (for wide conversion lens) LSF-S58

Wide Conversion Lens 0.7x VCL-HG0758

Condenser Microphone ECM-NV1

InfoLITHIUM Rechargeable Battery Pack NP-F330

AC Adaptor AC-L15

Superb audio-video quality with 1/3-inch 3CCD.

On top of the quality on earlier DSR-PD150P well accepted in the market, the DSR-PD170P offers even better audio-video performance with improved minimum illumination (1 lux) and audio signal-to-noise ratio (approx. 6 dB better) for manual recording mode.

Professional audio sound … without additional equipment.

Two XLR input connectors enable you to use professional microphones and achieve top-quality audio reproduction. In addition, because the DSR-PD170P allows you to set the levels of the two channels separately, you don’t need to purchase an external device to achieve professional audio recording.

Enhanced user-friendly ergonomics.

In addition to many easy-to-use functions the earlier DSR-PD150P already had, the new DSR-PD170P gives operational improvements such as new larger carrying handle including zoom lever and Rec Start/Stop button for low angle shooting, new larger viewfinder for more comfortable viewing and new Hybrid LCD panel which can be viewed even in direct sunlight. 

DVCAM & DV recording.

You can ensure the reliability with DVCAM recording, but in addition you can switch the DSR-PD170P from DVCAM to DV recording mode to extend recording time.

Manual adjustments to get the best shot.

Because the perfect shot often requires you to exercise your artistic judgement, the DSR-PD170P allows you to manually adjust various functions such as zoom, focus, iris, shutter speed, white balance, filters, backlight, digital effects and more.

Clearer focus during recording.

You will optimise your image clarity and capture a sharper, more focused picture with the DSR-PD170P’s high-resolution black-and-white viewfinder. Of course, you can always adjust the colour balances in post-production editing, but clear definition cannot be corrected for after the taping has been done.

No more “camera shake”.

Unlike many other camcorders, the DSR-PD170P does not use digital processing to correct for camera shake, because this technique can create digital noise. Instead, by detecting vertical and horizontal movements independently, the DSR-PD170P’s prism system compensates optically for the unsteadiness.

Hybrid LCD monitor lets you check as you go.

You can use the precision Hybrid 2.5-inch LCD colour monitor (Transmissive and Reflective, 211,200 dots) to view the image as it records – or to check the playback picture on location, even in direct sunshine. It also makes setting menus and audio recording levels easier and is convenient for monitoring the action while the camera is mounted on a tripod. 

Time-code settings enhance efficiency

Because you can set time codes either in “record run” or “free run” you can use these codes to identify tapes – and specific locations on them – during editing. This enhances editing efficiency and reduces editing costs. An index can also be marked while recording through the camera or from an external video source.

Even greater value-for-money.

The wide conversion lens VCL-HG0758 and new lens hood LSF-S58 are bundled with the DSR-PD170P as standard, keeping the price range of earlier model DSR-PD150P.

1/3-inch 3CCD with high sensitivity and S/N ratio

The DSR-PD170P incorporates three 1/3-inch CCDs with 450,000 pixels (effective 400,000 pixels). The 1/3-inch size contributes to high sensitivity, improves the signal-to-noise ratio and reduces smear levels. The optical system supports a 58 mm lens with 12x zoom.

Professional 2ch audio input

The DSR-PD170P has two XLR audio input connectors which provide balanced connection to a range of professional microphones and other pro-audio signals. It also features independent control of two audio channels.

Hybrid 2.5-inch LCD colour monitor

The DSR-PD170P features a fold-out, tilting colour monitor that allows you to check recording quality, confirm playback on location, and conveniently set levels using the on-screen menu. A new precision Hybrid LCD panel (Transmissive and Reflective, 211,200 dots) has been adopted allowing clear viewing even in bright sunshine.

Precision Black & White viewfinder

The DSR-PD170P is equipped with an 180,000-dot LCD black-and-white viewfinder, which provides 500 lines of horizontal resolution - more than 20 percent higher than equivalent colour viewfinders. A larger size viewfinder and eye-cup are supplied as standard, and the window size of the magnifier has been enlarged allowing more comfortable use of the viewfinder than those of the previous model.

The LCD panel and viewfinder can be turned on simultaneously, allowing the user to control the focus on the viewfinder and set the camera angle on the LCD panel.

Optical Super SteadyShot

The DSR-PD170P employs the Super SteadyShot to detect the horizontal and vertical movements separately. The prism system located in the front of the lens adjusts and optically compensates for any unsteadiness.

Large carrying handle with zoom lever and Rec Start/Stop button

A zoom lever and a Rec Start/Stop button on the handle provides much easier zoom control and recording during low-angle shooting. Zoom speed can be selected by three position slide switch located on the side of the handle, from H (fast), L (slow) or Off.

The handle which is 10 mm higher than that of the previous model helps a better and easier grip.

DVCAM & DV recording

The DSR-PD170P adopts DVCAM format to offer professional video and audio quality as well as high reliability. It is also capable of recording and playing back DV format (SP only).

Manual functions

In addition to the auto functions, the DSR-PD170P has various for manual adjustment for professional use.

- Zoom

- Focus

- Iris

- Shutter speed

- Gain

- AE (Auto Exposure) Shift

- White Balance

- Custom Preset (Colour Level, Sharpness, White Balance Shift, AGC Limit)

- ND Filters (1/4 and 1/32)

- Spotlight

- Backlight

- Digital Effects (Still, Flash Motion, Luminance Key, Trail, Auto Movie)

- Audio Recording Level (CH1/CH2 separate or linked)

- Zebra Patterns (100% or 70%)

- Guide Frame

Time code preset

A unique feature of time-code settings on the DSR-PD170P is that they can be used to uniquely identify tapes. Time-code mode can be set to “record runEor “free runE

Memory Stick and protection features

A 4MB Memory Stick lets you store up to 60 VGA images (with progressive scan mode) and use them to create various special effects. Because these functions are password-protected, Memory Stick works as a key to camcorder operation and therefore protects against theft.

Supplied wide conversion lens and new lens hood

The popular wide conversion lens VCL-HG0758 and new lens hood LSF-S58 are bundled with the DSR-PD170P. The lens hood can be used with the wide conversion lens, or without lens.

Supplied hood with built-in lens cap

Another new hood with a built-in lens cap is also bundled. By using the lever on the side of the hood, the lens cap can be opened or closed.

i.LINK cable strap

This small plastic plate straps and protects the supplied i.LINK cable. It is useful for avoiding mishaps when an external hard drive (for example DSR-DU1) is being used for recording.

Technical Specifications - Sony HVR -S270E Camcorder - achizitie 2009 - 2010

Supplied Lens Supplied Lens Carl Zeiss Vario-Sonnar T* zoom lens, 12x (optical), f = 4.4 to 52.8 mm, f = 32.0 to 384 mm* at 16:9 mode, f = 39.5 to 474 mm* at 4:3 mode, filter diameter: 72 mm

Built-in filter Clear, 1/4, 1/16, 1/64

Imaging system 1/3-inch, progressive 3 ClearVid CMOS Sensor system with Exmor technology

Picture elements Approx. 1,037,000 pixels (effective), approx. 1,120,000 pixels (total)

Focus Auto,manual (focus ring/one push auto/infinity/AF assist/ focus macro)

White balance Auto, one-push auto (A/B positions), indoor (3200 K), outdoor (selectable level -7 to +7, approx. 500K/step), manual WB Temp (selectable 2300K to 15000K, 100K/step)

Manual shutter speed Auto: 1/50 - 1/1750

Manual: 50i/25p: 1/3 - 1/10000

Gain -6, -3, 0 , 3, 6, 9, 12, 15, 18, 21 dB

Minimum illumination 1.5 lux (auto gain, auto iris, 1/25 shutter)

 VTR section 

Recording format HDV1080/50i, DVCAM, DV SP 576/50i (PAL)

Play out/Down conversion format HDV1080/50i, DVCAM, DV SP 576/50i (PAL)

Playback/Recording time HDV/DV SP: Max. 276min with PHDV-276DM Max. 63 min with PHDVM-63DM cassette

DVCAM: Max. 184min with PHDV-276DM Max. 41 min with PHDVM-63DM cassette

 Input/Output connectors 

Audio/Video output Composite video (BNCx1), Unbalanced auido (pin x2ch)

Component video output BNC x3

HDV/DV input/output i.LINK interface (IEEE 1394, 6-pin)

XLR audio input XLR 3pin female x 4ch

Headphone Stereo mini jack (ø3.5 mm)

LANC Stereo mini-mini jack (ø2.5 mm)

Digital video output HD/SD-SDI BNC x1

 Built-in output devices 

LCD view finder 0.45-inch type (Viewable area measured diagonally), approx. 1,226,880 dots (852x480x3[RGB]), 16:9 aspect ratio

LCD monitor 3.2-inch type (Viewable area measured diagonally), XtraFine LCD, approx. 921,600 dots, hybrid type, 16:9 aspect ratio

 General 

Mass Approx. 6.3kg (13 lb 15 oz) (w/ the supplied lens, w/o tape, BP-GL95battery)

Power requirements DC 12 V (battery pack), DC 14.4 V (AC adaptor)

Power consumption HDV Approx. 12.2 W (with ECM-XM1 / EVF ON)

Power consumption DVCAM/DV Approx. 11.7 W (with ECM-XM1 / EVF ON)

Operating temperature 0 to 40 °C (32 to 104 °F)

Storage temperature -20 to +60 °C (-4 to 140 °F)

 Supplied memory recording unit 

Recording media CompactFlash card (2GB or bigger, 133x or faster) (not supplied)

File system FAT32

File format HDV .M2T

File format DVCAM/DV .AVI (DV-AVI, type 1) or .DV (Raw-DV)

Connectors special hot shoe

i.LINK-6pin (on the supplied cradle)

DC power input (on the supplied cradle)

infoLITHIUM L series battery slot (on the supplied cradle)

NEW Interchangeable Lens System

This camcorder is fitted with a new 1/3inch interchangeable lens system allowing customers either to use the supplied Carl Zeiss lens or use a whole range of other lenses available on the market. 

• Flexible usage - the camera can be used for a myriad of different applications using different lenses, from TV work, through to budget movie making and with the use of stills lenses, wildlife videography. 

• Various optional lens adaptor rings will allow conversion to 1/2inch or 2/3inch, plus an additional lens adaptor for Sony 'alpha' brand lenses. 

• The supplied lens features professional operation with a new manual focus ring and zoom and iris rings. 

NEW 1/3inch CMOS Processor

Newly developed 1/3inch x 3 ClearVid CMOS processor offers high resolution, high sensitivity, wide dynamic range and excellent colour reproduction. 

• Offers greater resolution than existing pixel-shift technologies regardless of the balance between colour elements. 

• Offers great low-light capabilities especially important for camera operators who cannot control their ambient lighting, e.g. wedding videographers. 

• Lower power consumption than traditional CCD's. 

• 'Exmor' technology employed in the new CMOS processor reduces noise in the A/D process.

NEW Selectable 25p Progressive Modes

The HVR-S270E offers the ability to choose between a 25p scanning mode (same as HVR-V1E) but also a 25p 'native' recording mode. In this native recording mode the picture is both scanned and recorded as a progressive image. 

• Further improves the progressive reproduction by both scanning and recording progressively. 

• Provides further flexibility of use. e.g. The camera can be used for a variety of applications from budget-movie making in 25p mode to standard interlace TV productions. 

• Offers camera operators the use of the progressive 'filmic look', coupled with gamma curve correction makes the camera ideal for movie production. 

Full Size HDV/DV/DVCAM cassette capability

Since the launch of HDV, many customers have requested all the benefits of HDV but with a large shell shoulder camcorder. After considering the requirements of this customer group, Sony have developed this new camcorder to offer large shell cassette recording. 

• Large Shell HDV tapes offer a massive 4.5 hours of HD recording with PHDV276DM HDV master tape. 

• This is ideal for a whole wealth of different customer groups from documentary makers keen on keeping the camera running as long as possible, through to wedding videographers covering long ceremonies.

Switchable Recording and Playback- HDV1080i/DVCAM/DV

The HVR-S270E can switch between HDV1080i, DVCAM, and DV recording, providing full flexibility to record in either standard definition or high definition depending on your production needs

Built-in Down-converter for SD Production

The HVR-S270E can convert material from 1080i down to 576i, and output the video signals through its i.LINK interface and other SD output connectors.

This allows users to edit recorded material with a compatible nonlinear editing system using current DV editing software, as well as record SD signals to an external VTR.

1/3-inch type 3 ClearVid CMOS Sensor System

The newly developed 1/3-inch type 3 ClearVid CMOS Sensor™ system has 45-degree rotated pixels on each chip in order to increase the signal density, while each pixel maintains sufficient surface area.

In combination with Enhanced Imaging Processor™ (EIP), the 3 ClearVid CMOS Sensor system achieves high resolution, high sensitivity, wide dynamic range, and excellent colour reproduction.

The pixel shift interpolation technique has been traditionally used in low-end 3CCD camcorders. However, it normally requires the combination of all three colour element (RGB) signals to maximize resolution. If an object lacks one or more colour elements, the resolution of the object may be degraded.

The 3 ClearVid CMOS Sensor system is different. It can always produce maximum resolution, regardless of the balance between colour elements, thanks to its unique and sophisticated interpolation technology.

The 3 ClearVid CMOS Sensor system is different. It can always produce maximum resolution, regardless of the balance between colour elements, thanks to its unique and sophisticated interpolation technology.

Enhanced Functionality via the Technology of "Exmor

The HVR-S270E offers cutting-edge features, such as the technology of "Exmor™" developed by Sony, which utilizes the full potential of the 3 ClearVid CMOS Sensor system.

The technology of "Exmor", which features the column-parallel A/D conversion technique, is also used in the PMW-EX1 XDCAM EX camcorder and Alpha Digital SLR (Single Lens-Reflex) camera from Sony.

Multiple A/D (analog to digital) converters on each pixel row convert analog signals to digital as soon as they are generated, unlike traditional technology that only has one A/D converter on each chip. The technology of "Exmor" can eliminate the influence of external noise that enters the signal chain during transfer to the A/D converter, resulting in high-quality digital signals with extremely low noise. This significantly enhances shooting in low-light environments.

By adopting this groundbreaking technology, the new 1/3-inch 3 ClearVid CMOS Sensor system enables the HVR-S270E to achieve a low light sensitivity of just 1.5 lux.

This will be of extreme importance to customers who shoot in lighting conditions that they can't control, e.g. wedding videographers.

Wide Range of Lenses

The flexible bayonet lens attachment system allows you to use a wide range of lenses.

Standard 1/3-inch HD video lenses, from manufacturers such as Fujinon and Canon, can be attached directly to the HVR-S270E.

If you'd like to attach a 2/3-inch or 1/2-inch HD video lens on to the HVR-S270E, it is possible to do so by adding a standard lens adaptor from the lens manufacturer. The HVR-S270E camcorder has 12-pin lens connectors allowing compatibility with professional ENG lenses.

This feature is very useful not only for those who already have these professional HD video lenses, but also for those who prefer to use HD digital cinema lenses for their unique contrast, colour, and atmosphere.

Carl Zeiss Lens for HD Video as Standard

A high-quality, multi-purpose Carl Zeiss lens for HD video comes as standard with the HVR-S270E. Stunning resolution and contrast is achieved thanks to the Carl Zeiss Vario-Sonnar™ T* coating, which suppresses unwanted reflections. A specially designed wide-angle lens is also available as an option, to suit a diverse range of shooting requirements.

Alpha Lens Compatibility

With a special adaptor from Sony, it is also possible to use the alpha lens series designed for Sony Digital SLR still cameras. By using alpha lenses in various configurations, creative effects can be achieved. This approach is ideal for filmmakers on a budget or those who already own alpha lenses.

25p HDV Native Progressive Recording Modes

The HVR-S270E newly features 25p HDV native progressive recording modes.

The 3 ClearVid CMOS Sensor system and EIP create true 1080p images, which can then be recorded as progressive signals by the HVR-S270E in HDV format.

The progressive HDV stream can be output from an i.LINK connector and used for progressive editing with compatible NLE software.

Native progressive recording modes are suitable for output to film, CG composition, viewing on a progressive monitor, or as an Internet movie.

Note: interlaced video is output from connectors other than i.LINK

25p Progressive Scan Modes

In these modes, the 1080p image captured by the 3 ClearVid CMOS Sensor system is also recorded as an interlaced signal by dividing each frame into two fields. This enables compatibility with current editing and monitoring equipment that only accept interlace signals, while maintaining the quality of the 1080p image.

Progressive scan modes are suitable for feature films, documentaries, and music videos, which have to be recorded as interlaced video for viewing on interlaced monitors, but want to offer a "progressive look" to their motion.

A streamlined nonlinear editing workflow for HDV

HDV signals can be recorded as a file on non-tape media. For example, when using the supplied CompactFlash (CF) solid-state memory recording unit - images can be stored on a standard CF card for quick nonlinear editing. The optional HVR-DR60 Hard Disk Recording Unit can be used in the same manner, with images being recorded on to its large-capacity 60GB hard drive, which provides 4.5 hours of recording time.

Technical Specifications - Sony HVR-M15AE

--Recording/playback performance-- 

 Recording format 

HDV HDV1080/60i, 1080/50i, 1080/24p, 1080/25p, 1080/30p

DVCAM / DV SP DVCAM, DV SP 480/60i (NTSC), 576/50i (PAL)

 Playout format 

HDV HDV1080/60i, 1080/50i, 1080/24p, 1080/25p, 1080/30p

DVCAM / DV SP DVCAM, DV SP 480/60i (NTSC), 576/50i (PAL)

Playout video signal 1080/60i, 1080/50i, 480/60i (NTSC), 576/50i (PAL)

 Tape speed 

HDV/DV SP Max. 18.812 mm/s

DVCAM Max. 28.218 mm/s

 Playback/recording time 

HDV/DV SP Max. 276 min with PHDV-276DM cassette

Max. 63 min with PHDVM-63DM cassette

DVCAM Max. 184 min with PHDV-276DM cassette

Max. 41 min with PHDVM-63DM cassette

Fast forward/rewind time Approx. 2.5 min with PHDV-276DM cassette

 --Input/output connectors/devices-- 

Video input/output RCA x 1 / RCA x 1

[1Vp-p , 75ohm unbalanced, sync negative

Sync signal : 0.286Vp-p (50i / NTSC) , 0.3Vp-p (60i / PAL)

Burst signal : 0.286Vp-p (50i / NTSC) , 0.3Vp-p (60i / PAL)

S-video input/output Mini-DIN 4pin x 2

Y : 1Vp-p , 75ohm unbalanced, sync negative

Sync signal : 0.286Vp-p (60i / NTSC) , 0.3Vp-p (50i / PAL)

Chrominance signal : 0.286Vp-p (60i / NTSC),(burst, 75ohm) , 0.3Vp-p (50i / PAL),(burst, 75ohm)

Component video output RCA pin x 3

Output at 480i NTSC

With[BETACAM] selected in [480i LEVEL] of the [IN/OUT REC] menu

Y : 1 Vp-p (0.286Vp-p sync negative, output impedance 75ohm unbalanced)

Pb / Cb / B-Y , Pr / Cr / R-Y : 0.7Vp-p (output impedance 75ohm unbalanced) (75% color bar with 7.5% IRE setup)

With[SMPTE] selected in [480i LEVEL] of the [IN/OUT REC] menu

Y : 1 Vp-p (0.3Vp-p sync negative, output impedance 75ohm unbalanced)

Pb / Cb/B-Y , Pr / Cr / R-Y : 0.7Vp-p (output impedance 75ohm unbalanced)(100% color bar with no setup)

Output with other settings

Y : 1 Vp-p (output impedance 75ohm unbalanced)

Pb / Cb / B-Y , Pr / Cr / R-Y : 0.7Vp-p (output impedance 75ohm unbalanced)(100% color bar with no setup)

480i / 480p :

Y : with 0.3Vp-p sync negative

1080i / 720p :

Y / Pb / Pr : with 0.6Vp-p 3-level sync

i.LINK 6-pin

Digital uncompressed output -

Phones -

LANC Stereo mini-minijack ( 2.5 mm)

Control S Stereo minijack ( 3.5 mm)

Audio input RCA x2,stereo

Input level : -10dBu, input impedance: min. 47 ohm unbalanced, max Input level : +18dBu (approx. 6Vrms) 60i , +16dBu (approx. 5Vrms)50i

Audio output RCA x2,stereo

impedance : max. 1k/ohm unbalanced, Output level : -10dBu (=full bit -20dB) impedance 47 ohm unbalanced 60i, -10dBu (=full bit -18dB) impedance 47 ohm unbalanced 50i

LCD monitor -

 --General-- 

Mass Approx. 2.3 kg (5 lb 1 oz)

Powere requirements DC 8.4 V

Power consumption 6 W (playback mode)

Operating temperature 5 to 40° C (41 to 104° K)

Storage temperature -20 to +60° C (-4 to 140° K)

 Supplied Accessories 

Operation Manual

Cleaning Cassette

2 x AA size batteries

Stand (for vertical mounting)

Power Cord

AC-L100 New AC Adaptor

RMT-DS7 New Remote Commander

An affordable way to enjoy High Definition

Through the HDV format Sony's HVR-M15AE allows you to playback and record High Definition pictures on a standard DV format cassette - providing both a highly cost effective format and full 1080 line resolution.

Now with the added benefit of Native Progressive recording and playback, the HVR-M15AE offers a truly flexible selection of options for a variety of different applications.

Not just for HDV

With the Sony HVR-M15AE, you are able to switch between DV, DVCAM and HDV recording and playback giving you full flexibility to record and review in either Standard or High Definition depending on your chosen footage.

Portable and Compact

The clever design of the HVR-M15AE means that users can position the VTR either vertically or horizontally depending on individual needs

Easy integration to the way you already work. Migration to HD workflow or using existing SD workflow, you choose.

Continuity of workflow can be very important. Enjoying the benefits of the HVR-M15AE does not mean that you need to change the way you work. Like DVCAM VTR's, a full range of connectivity is available for external devices including Composite In/Out, S-video In/Out, Component Out and i.LINK (IEEE1394). In addition, you can choose to convert your HDV footage with the in-built down-converter to output in Standard Definition if required.

A comprehensive support service

Just like the rest of the HDV range, the HVR-M15AE benefits from two years Silver Support warranty as standard providing a unique after-sales care programme offering enhanced support and service.

HDV/DVCAM/DV Compatible

The HVR-M15AE, along with offering HDV 1080i recording and playback now offers progressive recording format. With this format, called HDV native progressive format, 1080p images at 24, 25 or 30 frames per second can be recorded.

The HVR-M15AE enables users to play back 1080p images recorded with camcorders featuring this format and to record with i.LINK input. DVCAM and DV recording and play back for exisiting SD workflows is also available, providing full flexibility to record and play back either Standard or High Definition depending on production needs.

Dual-size Cassette Mechanism

The HVR-M15AE accepts both standard and mini size HDV, DVCAM, and DV cassettes without using any special adaptor. It allows for HDV recording for up to 276 minutes with a DigitalMaster™ Cassette - ideal when longer recoding times are required.

Down-conversion Capabilities

The HVR-M15AE allows down conversion from HDV1080i or p format. Analogue outputs (component/S-Video/Composite) and the i.LINK interface can provide a standard definition signal in either DVCAM or DV if required.

50/60Hz Switchable

The HVR-M15AE is compatible with both 50 and 60 Hz use - providing greater user flexibility to make and edit productions on a worldwide basis.

Compact & Simple Design

The compact dimensions of the HVR-M15AE mean that it can be used even when workspace is at a premium, and its simple layout means that it is easy to use.

HDV/DV IN TC

The HVR-M15AE is equipped with HDV/DV IN TC, enabling time code synchronization with external equipment - ideal when dubbing tapes or recording to tapes with material edited by nonlinear editing systems.

Menu button

The HVR-M15AE offers a menu button. This enables quick menu access without the need of a remote control.

Auto Repeat

The HVR-M15AE has an Auto Repeat function that enables it to repeatedly play back a program. Just after the HVR-M15AE reaches the end of the tape, it automatically rewinds the tape and repeats the playback.

TC Reset

The HVR-M15AE can reset the time code value to 00:00:00:00 via either menu or wireless remote control.

Technical Specifications - Sony HVR-MRC1K

Recording media Compact Flash: At least 133x speed and 2-GB capacity is required. The SONY CF card is recommended.

Interface i.LINK with HVRA-CR1: IEEE 1394, 6-pin connector

File format HDV: MPEG-2-TS (.m2t)

DVCAM/DV SP: AVI-Type1 (.AVI), RAW-DV (.DV)

Built-in output device LCD monitor: 23.02 x 11.5 mm (picture size), 128 x 64 dots

OS compatibility Windows® 2000 Professional (Service Pack 4)

Windows XP Home Edition (Service Pack 2)

Windows XP Professional (Service Pack 2)

Windows Vista, Mac® OS X (v10.3)

 General 

Mass HVR-MRC1: 130g(4 oz)

HVR-MRC1 with HVRA-CR1: 210g(7 oz)

Power requirements DC 7.2 V (battery pack), DC 8.4 V (AC adaptor)

Power consumption 2.2 W (in recording mode with LCD monitor on)

Operating temperature 0 to 40 °C (32 to 104 °F)

Storage temperature -20 to +60 °C (-4 to 140 °F)

Hybrid Format

Simultaneous HD and SD recording allows the recording of HD material to tape and SD to CompactFlash media. Giving the flexibility to shoot for today's SD production and HD value in the future

Hybrid Media

The HVR-MRC1K allows the use of tape and/or non-linear recording media, giving you the ability to produce a reliable backup recording. HDV or DVCAM tape-based users can therefore move gradually to IT workflow with this hybrid-operation.

Hybrid Workflow

Files for quick editing and tape for archiving - this means you can immediately access a movie file for streamlined NLE work, while keeping the master source tape in a safe place.

HDV in IT Workflow by CompactFlash Memory Recording Unit

The HVR-MRC1K Memory Recording captures the HDV1080i, DVCAM or DV stream output from the camcorder and records it as a movie file while you are simultaneously recording to tape.

You can use a CompactFlash (CF) card*, which offers secure recording, high-speed access, large data capacity, removable media convenience and high durability against external vibration. 

*Not supplied

HDV/DVCAM/DV File Recording on CompactFlash Card

The recording time on a 16GB CF card* in HDV, DVCAM and DV format is approximately 72 minutes.

*At least 133x speed and 2GB capacity is required. The NCFD8GP and NCFD16GP CF cards from Sony are recommended. The recording time may change according to the CF card type and recording format.

Hybrid Operation Realises Archiving, IT Workflow and HD/SD Parallel Recording

The Memory Recording Unit provides a hybrid operation, where images are recorded to tape and a CF card simultaneously, in a similar fashion to the HVR-DR60 Hard Disk Recording Unit*.

This means you can immediately access a movie file for streamlined NLE work, while keeping the master source tape in a safe place.

The file format is M2T for HDV mode and AVI or RawDV for DVCAM/DV modes. In the same fashion as HVR-DR60 operation, these files can be edited using popular NLE software. 

In addition, when the built-in down-converter of the connected HDV camcorder is active, SD images can be recorded on a CF card while HD images are recorded to tape. 

HD master tape is recorded and SD movie files are created at the same time. HDV or DVCAM tape-based users can gradually move to IT workflow with this hybrid-operation. Tapeless recording is also available if desired. 

*HVR-DR60 does not accept a native progressive HDV stream. 

**The Memory Recording Unit adopts the FAT32 file system. Continuous recording is divided into 4 GB files (approximately 20 minutes of recording time). A utility software, available from www.sonybiz.net/hdv, can merge these divided files for seamless editing on NLEs. Some NLEs include this function. For details of NLE operation, please consult your nearest NLE software dealer.

Independent use with the supplied cradle

The Memory Recording Unit can be used as an external recording unit, just like the HVR-DR60, by attaching the supplied cradle that has an i.LINK connector, battery attachment and DC power input. When the Memory Recording Unit is connected to a PC via i.LINK, it is recognised as an external drive and can be used to access files.

When connected to a video device (such as a VTR or NLE system) via i.LINK, it can be used to input/output a HDV/DVCAM/DV stream.

Integration without Cabling

The Memory Recording Unit can be integrated to the HVR-Z5E, HVR-Z7E or HVR-S270E without the need for cabling, simply by attaching it onto the special shoe connector*. This smart combination never interferes with shooting operations. The Memory Recording Unit automatically synchronises with the recording action of the camcorder - i.e., when the camcorder starts or stops recording, so does the unit.

*The intelligent shoe connector inputs and outputs an HDV/DV stream and supplies power to the Memory Recording Unit. The i.LINK connector is not available when the unit is attached on the camcorder.

Technical Specifications - Sony PMW - EX 3

achizitie 2010

Mass Approx. 1.9 kg (4 lb 2 oz) (without lens)

Approx. 3.6 kg (7 lb 9 oz) (with lens, lens hood, eye piece, BP-U30 battery, one SxS PRO memory card)

Dimensions (W x H x D) 250 x 210 x 400 mm (9 7/8 x 8 2/8 x 15 6/8 inches)(with lens) without projection

Power requirements DC 12 V

Power consumption Approx. 13.5 W (while recording, LCD viewfinder On)

Operating temperature 0 to +40°C (+32 to +104°F)

Storage temperature -20 to +60°C (-4 to +140°F)

Continuous operating time Approx. 210 min. with BP-U60 battery Approx. 100 min. with BP-U30 battery

Recording format Video MPEG-2 Long GOP HQ mode: VBR, maximum bit rate: 35 Mb/s, MPEG-2 MP@HL SP mode: CBR, 25 Mb/s, MPEG-2 MP@H14 Audio Linear PCM (2ch, 16-bit, 48-kHz)

Recording frame rate NTSC setting HQ mode: 1920 x 1080/59.94i, 29.97P, 23.98P, 1280 x 720/59.94P, 29.97P, 23.98P SP mode: 1440 x 1080/59.94i PAL setting HQ mode: 1920 x 1080/50i, 25P, 1280 x 720/50P, 25P SP mode: 1440 x 1080/50i

Recording/Playback time HQ mode Approx. 50 min. with SBP-16 (16 GB) memory card, Approx. 25 min. with SBP-8 (8 GB) memory card SP mode Approx. 70 min. with SBP-16 (16 GB) memory card, Approx. 35 min. with SBP-8 (8 GB) memory card

 --Lens-- 

Lens mount 1/2-inch type EX mount

Zoom ratio 14x (optical), servo/manual selectable

Focal length f = 5.8 to 81.2 mm (equivalent to 31.4 to 439 mm on 35 mm lens)

Iris F1.9 to F16 and Close, servo/manual selectable

Maximum relative aperture 1:1.9

Focus AF/MF/Full MF selectable 800 mm to 8 (MACRO OFF), 50 mm to 8 (MACRO ON, Wide), 735 to 8 (MACRO ON, Tele)

Image stabilizer ON/OFF selectable, shift lens

Filter thread M77 mm, pitch 0.75 mm (on lens)

 --Camera-- 

Slow Shutter (SLS) 2-, 3-, 4-, 5-, 6-, 7-, 8-, 16-, 32-, and 64-frame accumulation

Slow & Quick Motion function 720P Selectable from 1 to 60 fps as recording frame rate 1080P

Selectable from 1 to 30 fps as recording frame rate

Pickup device 3-chip 1/2-inch type Exmor Full HD CMOS

Effective picture elements 1920 (H) x 1080 (V)

Optical system F1.6 prism system

Built-in filters ND filter OFF: Clear, 1: 1/8ND, 2: 1/64ND

Sensitivity (2000 lx, 89.9% reflectance) F10 (typical) (1920 x 1080/59.94i mode)

Minimum illumination 0.14 lx (typical) (1920 x 1080/59.94i mode, F1.9, +18 dB gain, with 64-frame accumulation)

S/N ratio 54 dB (Y) (typical)

Horizontal resolution 1000 TV lines or more (1920 x 1080i mode)

Shutter speed 1/33 to 1/2000 sec.

Shutter angle 180, 90, 45, 22.5, 11.25 degrees

 --Signal inputs/outputs-- 

Audio input XLR-3-pin (female) (x 2), line/mic/mic +48 V selectable

Composite output BNC (x1), 1.0 Vp-p, 75 ohms

S-Video output Y: 1.0 Vp-p, 75 O unbalanced, sync negative

Audio output RCA type (CH-1,CH-2),-10 dBu (reference level), 47 kO

Component output Mini D (x 1) Y: 1.0 Vp-p, 75 ohms, Pb/Pr: 0.7 Vp-p, 75 ohms

SDI output BNC (x 1), HD-SDI/SD-SDI selectable

i.LINK input/output IEEE1394, 4-pin (x 1), HDV stream input/output, S400

Timecode input BNC (x1), 0.5 to 18 Vp-p, 10 ohms

Timecode output BNC (x1), 1.0 Vp-p, 75 ohms

Genlock input BNC (x1), 1.0 Vp-p, 75 ohms

USB Mini-B (x 1), USB 2.0 High-speed

Headphone output Stereo mini-jack (x 1), -20.5 dBu (reference level output, 16 ohms load)

DC input DC jack

Battery input 5-pin

Remote 8-pin

 --Built-in microphone-- 

Capsule type Omni-directional stereo electret condenser microphone

 --Media slot-- 

Type ExpressCard/34 (x 2)

Interface ExpressCard compatible

The PMW-EX3 is a further innovation from Sony offering the first solid-state semi-shoulder camcorder. Based on the same outstanding picture performance, creative features and workflow innovation of the PMW-EX1, the new camera offers studio functions such as genlock and remote control, an interchangeable lens system and new ergonomic features which provide camera operators further flexibility in whatever style of production is chosen.

Enhanced Workflow

Innovative solid state recording with SxS PRO ExpressCard memory cards offers the following benefits: 

• Compatible with industry-standard ExpressCard interface available on most modern laptops 

• No time lost to tape loading 

• Robust storage media, impervious to shocks and vibrations 

• Small, high capacity recording media offering over 2 hours of continuous HD content across 2 x 16GB cards. 

• Common interoperability with HDV and XDCAM so ready to use immediately with most existing NLE. 

• No need to worry about accidentally overwriting precious content 

• Write and Re-Writable media with no degradation in picture quality 

• Thumbnail images representing key scenes can be browsed and instantly accessed using on-camera colour screen 

• ' Essence Mark' key scenes at the touch of a button 

• No frantic fast-forward/rewinding to find the clips you want to review 

• Non-proprietary media manufacture 

• Supplied with Clip Browser Software for viewing and copying clips to HDD, DVD or Blu-ray Disc.

Superior Picture Performance

Newly developed Exmor™ CMOS processors offer true 1080 x 1920 resolution: 

• Large ½ inch sensors for excellent sensitivity and depth of field characteristics 

• Full 1080 x 1920 effective pixels 

• Low power consumption compared to CCD technology 

• 1080 / 720 switchable for international programme production

Interchangeable Professional 1/2inch HD Lens

The PMW-EX3 features an exceptional interchangeable ½ inch Fujinon lens, which offers the ability with the supplied lens adaptor to utilise current ½ -inch lenses. 

• Interchangeable 14x Fujinon Professional HD lens 

• Can be used with other 2/3rd inch, Cinema and D-SLR lenses with optional lens adaptors. 

• Unique focus operation offering full manual focus with absolute focus or manual/auto focus operation. 

• AutoFocus Assist ensuring focus position can be altered 

• Manual Focus Assist to ensure optimum focus at all times

Exciting and Creative Recording Modes

The PMW-EX3 is the first semi-shoulder camcorder to carry the legendary CineAlta brand, which represents optimisation for feature film production and specifically support for 23.98P recording capability - the standard frame rate for feature film production. Alongside this, there are a myriad of creative recording modes available including: 

• Slow and Quick motion offers a range of frame rates produced within the camera and available for instant review in the field. Now available via direct control on the camcorder body. 

• New shutter setting emulates filmic operation 

• Cine Gamma curves offer further filmic options for production 

• Frame and Interval recording offers further creative scope for animation and extremely quick motion effects 

• Slow Shutter for clear images in low-light environments

New features for Multi-camera operation

The PMW-EX3 includes genlock and timecode interfaces, plus remote control functionality through Sony professional remote control units, making the PMW-EX3 ideal for multi-camera operation and entry level HD studio use. 

• Genlock and timecode interfaces allow multi-camera operation with other camcorders. 

• Remote control via Sony RM-B150 or RM-B750 is available via the 8-pin remote control connector for easy set-up and control.

New Nonlinear Recording Media, "SxSPRO" - For Greater Efficiency, Operability, and Reliability

The XDCAM EX series adopts the SxSPRO memory card for its recording media, which Sony and SanDisk Corporation jointly developed specifically for professional content creation applications. The SxS PRO memory card is an ultra-compact nonlinear medium that uses flash memory with a number of key features: 

• Compatible with ExpressCard3/4 interface slot which is common on modern Windows PCs and Macs 

• Uses PCI Express interface and achieves an extremely high "read" speed of 800 Mb/s* 

• Large storage capacity: SBP-8 (8 GB) and SBP-16 (16 GB) memory cards are available. One SBP-8 (8 GB) memory card is supplied with the PMW-EX3 

• Can record up to 70 minutes of HD video and audio (using one 16-GB memory card) 

• Compact size: approx. 75 × 34 × 5 mm (excluding the projecting parts) - half the size of the older PC Card standard 

• Low power consumption 

• Highly reliable: can resist shocks (up to 1500 G) and vibrations (up to 15 G)

*This data-transfer speed is a theoretical value. Actual data-transfer speed depends on the file type and the performance of the PC. 

1920 x 1080 HD Recording Using the "MPEG-2 Long GOP" Codec

The PMW-EX3 camcorder records 1920 x 1080 HD images using the "MPEG-2 Long GOP" codec, which conforms to the MPEG-2 MP@HL compression standard. "MPEG-2 Long GOP" is a mature codec - also adopted by the XDCAM HD and HDV 1080i series of products - which enables users to record stunning-quality HD video and audio with highly efficient, reliable data compression.

Selectable Bit Rates

The PMW-EX3 camcorder offers a choice of bit rates - either 35 Mb/s (HQ mode) or 25 Mb/s (SP mode) - depending on the desired picture quality and recording time. The HQ mode supports both 1920 x 1080 and 1280 x 720 resolutions. The SP mode supports 1440 x 1080 resolution at 25 Mb/s, which provides compatibility with HDV 1080i products.

Footage recorded in this SP mode can be seamlessly integrated into HDV-compatible editing systems by transferring the stream from the camcorder via the i.LINK™ (HDV™) interface. It can also be recorded on XDCAM HD's optical disc through the use of the supplied Clip Browser software.

Long Recording Time

Utilising a mature and highly efficient compression format together with high performance SxS memory cards, the PMW-EX3 can record superb quality HD images for an exceptional 70 minutes* on a single 16Gb SxS card. As the PMW-EX3 features two memory card slots, this recording time is easily doubled to 140 minutes (with two 16Gb cards) and when recording across two cards, the transition is seamless without any frame loss. This feature makes the PMW-EX3 an ideal camcorder for a wide variety of content production applications, including wedding and event shooting, that require a long recording time.

*When recording in HQ (35 Mb/s) mode, recording time may be more than the above specified figure depending on the actual bit rate that is adopted during VBR encoding.

Multiple-format Recording - 1080/720 and Interlace/Progressive Switchable Operation

The PMW-EX3 camcorder offers a wide array of recording formats for multiple content creation applications. Scanning mode is switchable between 1920 x 1080, 1280 x 720, and 1440 x 1080 resolutions. Frame rate is also selectable from interlace and progressive - 59.94i, 50i, 29.97P, 25P, and native 23.98P*.

In addition, 59.94P and 50P progressive recording is available in 1280 x 720 mode. The SxS memory card can simultaneously hold multiple files of any of these recording formats, allowing for flexible use of the memory card.

*In 1440 x 1080/23.98P (SP) mode, images are handled as 23.98P and recorded as 59.94i signals through means of 2-3 pull-down.

Genlock and Timecode Interfaces

The PMW-EX3 includes genlock and timecode interfaces, making the PMW-EX3 ideal for multi-camera operation and entry level HD studio use.

High-quality Uncompressed Audio Recording

In addition to HD video recording, high-quality audio is an equally significant feature in the XDCAM EX system. The PMW-EX3 camcorder records and plays back high-quality, two-channel 16-bit, 48-kHz linear PCM uncompressed audio.

Remote Control Capability

The PMW-EX3 offers professional remote control of various camera features via standard Sony 8-pin control interface. This allows use of Sony optional RM-B150 and RM-B750 remote control units offering increased flexibility for studio/location use.

IT Friendly

With the XDCAM EX series, recordings are made as data files in the "MP4" format, which is widely used in a number of recent electronic portable devices and has been standardized by ISO.

The file-based recording allows material to be handled with great flexibility in an IT-based environment - easily available for copying, transferring, sharing, and archiving. All these operations are accomplished without any "digitizing" process required.

File-based data copying allows for degradation-free dubbing of AV content, which can be performed easily on a PC. The file-based recording system also allows for material to be viewed directly on a PC - simply by inserting the SxS memory card into the ExpressCard slot on a PC or Mac, or by linking a PC/Mac to the XDCAM EX unit via a USB2 connection. This works in just the same way as a PC reading files on an external drive. The file-based operation can dramatically improve the efficiency and quality of professional video applications.

New Semi Shoulder Design

With an adjustable shoulder pad, cheek pad and lens grip, the PMW-EX3 offers operators the ability to locate a comfortable position for on the shoulder operation. With the viewfinder assembly attached the ergonomics are similar to that of a full size shoulder camcorder.

Immediate Recording Start and No Overwriting Footage

By virtue of recording on flash memory card, the XDCAM EX can start recording virtually the instant the camcorder is turned on. Moreover, the XDCAM EX system automatically records on an empty area of the card - there's no danger of overwriting existing content.

This is extremely convenient, as camera operators do not have to worry about accidentally recording over good takes, and they don't have to search through footage for the correct position to start the next recording. In short, it means the camera is always ready for the next shot!

Instant-access Thumbnail Search with "Expand" Function

Each time a recording is started and stopped on the XDCAM EX camcorder, the video and audio signals are recorded as one clip. During playback, users can cue-up to the next or previous clip simply by pressing the 'Next' or 'Previous' button, as you would do on a CD or DVD player.

Furthermore, thumbnails are automatically generated for each clip as a visual reference, allowing operators to cue-up to a desired scene simply by guiding the cursor to a thumbnail and pressing the 'Play' button.

For further convenience, the 'Expand' function allows one selected clip in the Thumbnail display to be divided into 12 even-time intervals, each with their own thumbnail identifier. This is useful if you want to quickly search for a particular scene within a lengthy clip.

1/2-inch type Three Exmor™ CMOS Sensors

The PMW-EX3 is equipped with three newly developed 1/2-inch type Exmor™ CMOS Sensors, each with an effective pixel count of 1920 (H) x 1080 (V), which delivers excellent picture performance with full HD resolution. This 1/2-inch type image sensor, using Sony's advanced accumulated sensor technologies, allows the camcorder to provide an excellent sensitivity of F10, a remarkable signal-to-noise ratio of 54 dB, and a high horizontal resolution of 1000 TV lines*.

In addition, this large 1/2-inch type image sensor can capture images with a shallower depth of field than smaller-size image sensors, giving users more creative freedom of expression. What's more, the Exmor CMOS sensor is a unique design that deploys an A/D converter to each column of pixels, resulting in a much lower clock speed than conventional CMOS sensors. This makes it possible to greatly reduce power consumption of the camcorder.

*In 1920 x 1080/59.94i mode

Interchangeable Lens System with Wide-angle Fujinon 14x Zoom Lens included

The PMW-EX3 is equipped with a superb interchangeable Fujinon 14x zoom lens specifically designed for the PMW-EX3 to offer optimum picture performance. It offers a wide angle of view of 5.8 mm (equivalent to 31.4 mm on a 35 mm lens). Also supplied is a lens adaptor to allow use of other ½-inch lenses. Additional lens adaptors will allow use of 2/3rd -inch, digital cinema and digital stills lenses for wide creative functionality.

Unique Focus Operation - Professional Manual Focus and Auto Focus

The supplied lens adopts a newly developed and unique focus ring mechanism, which offers two types of manual focus, plus an auto focus operation. The PMW-EX3 camcorder is equipped with two independent focus wheel mechanisms, which can be switched by sliding the focus ring itself back and forth.

When the focus ring is in the front position, the lens works in the same way as a typical auto focus lens on a handheld camcorder. In this case, either manual or auto focus mode can be selected by the AF/MF switch on the lens. On the other hand, when the focus ring is set to the back position, the lens has an absolute focus position which professional users are familiar with.

Three Independent Rings

In addition to the unique focus ring, the PMW-EX3 supplied lens is equipped with independent rings for zoom and iris adjustment. These are located adjacent to the focus ring, in the same layout as is common on other interchangeable lenses. This gives users a high level of operational comfort and control.

AF Assist

The AF (Auto Focus) Assist function enables operators to manually change focus positions using the focus ring during AF mode. This means that AF reference focus positions can be shifted to manually changed positions.

MF Assist

The MF (Manual Focus) Assist function helps to precisely focus on the target subject when shooting in MF mode. When the MF Assist is turned on, auto focus is momentarily activated and finely focuses on the subject closest to the focal point of the lens at that time.

Expanded Focus

At the touch of a button, the center of the screen on the LCD monitor can be magnified to about twice normal size, making it easier to confirm focus settings during manual focusing.

Selectable Peaking on the Viewfinder

The Peaking function can help operators to adjust the camera's focus more accurately by altering the way pictures are displayed on the LCD monitor. It can enhance the outline of the image, which the camera focuses on most, and change its colour to make it more visible. Enhance levels can be selected via the control dial on the rear of the LCD monitor and the outline colour from "RED", "WHITE", "YELLOW", and "BLUE" from the menu.

Optical Image Stabilizer

To minimize the blurring effect caused by hand-shake, the new lens incorporates an optical image stabilizer function that provides highly stable images.

23.98P Native Recording

The PMW-EX3 camcorder is the first semi-shoulder camcorder to be a member of the legendary Sony CineAlta™ family. It offers native 23.98P* recording which, in combination with advanced creative features such as selectable gamma curves, makes this camcorder ideal for cinema production.

*In 1440 x 1080/23.98P (SP) mode, images are handled as 23.98P and recorded as 59.94i signals through means of 2-3 pull-down.

Slow & Quick Motion Function

The PMW-EX3 offers a powerful Slow & Quick Motion function - commonly known as over-cranking and under-cranking in film shooting - that enables users to create unique 'looks' or special effects with slow- and fast-motion images. This can be selected on the control dial on the side of the camcorder.

The PMW-EX3 can capture images at frame rates selectable from 1 fps (frame per second) to 60 fps in 720P mode and from 1 fps to 30 fps in 1080P mode, in increments of 1 fps. For example, when viewed at 23.98P, images captured at 60 fps will appear 2.5 times slower than normal. Conversely, images captured at four fps will appear six times faster than normal.

With the Slow & Quick Motion function of this camcorder, images are recorded natively without interpolating the frames. This means the quality of the slow- and fast-motion images is extremely high and incomparable to those created in the editing process. In addition, these slow- and quick-motion images can be played back immediately after shooting, without using any converters or processing on nonlinear editing systems.

Slow Shutter Function

The PMW-EX3 camcorder offers a Slow Shutter function for capturing clear images in low-light environments. This allows the shutter speed to be extended to a maximum of 64 frames. The Slow Shutter function not only increases camera sensitivity but also produces a special blurring effect when shooting a moving object, for enhanced shooting creativity. The shutter speed is selectable from 2-, 3-, 4-, 5-, 6-, 7-, 8-, 16-, 32-, and 64-frame periods.

Selectable Gamma Curves

The PMW-EX3 camcorder offers a wide variety of gamma curves to flexibly handle contrast and give a specific 'look' to an image. In addition to four types of standard gamma curves, the PMW-EX1 provides four types of CINE Gamma (CINE 1, 2, 3, and 4), which are identical to those of other CineAlta camcorders. Operators can select the best-suited preset gamma curve, depending on scenes.

Interval Recording Function

The PMW-EX3 camcorder offers an Interval Recording function that records signals at pre-determined intervals. This is convenient for shooting over long periods of time, and also when creating pictures with special effects of extremely quick motion.

Frame Recording Function

Frame Recording is a unique feature of the PMW-EX3 camcorder that is especially useful for stop-motion/clay animation shooting. Using this function, images for pre-determined frames are recorded every time the Record button is pressed.

Shutter Angle Settings

In addition to the electronic shutter speed controls, the PMW-EX3 also has a "shutter angle" control - which is familiar to film users. By setting the shutter speed to "angle", the PMW-EX3 automatically operates with the proper exposure time, determined by the selected frame rate and the shutter angle.

Picture Profile™ Feature

The Picture Profile feature allows camera operators to easily call up customized picture-tonal settings to suit particular shooting conditions, rather than having to readjust the camera each time - giving users greater operational efficiency. Up to six different picture-tonal settings such as the parameters of matrix, colour correction, detail, gamma and knee can be saved in the memory. These settings are displayed on the LCD monitor at the touch of a button.

Depth-of-field Indicator

A Depth-of-field Indicator can be displayed on the LCD monitor to help camera operators easily recognize the depth-of-field of a scene, and thereby produce their desired images.

Brightness-level Display

The average brightness level of the centre of a frame can be displayed on the LCD monitor as a percentage. This is useful when a waveform monitor is not available for shooting.

Histogram Indicator

The Histogram Indicator can be displayed on the LCD monitor, allowing operators to easily evaluate the distribution of brightness on currently captured images. This enables proper exposure control of iris, gain and gamma.

3.5-inch* Hybrid Colour LCD Screen / Viewfinder

The PMW-EX3 is equipped with a newly developed, large, easy-to-view, colour LCD screen with a high resolution of 1920 x 480 pixels. The LCD screen is located in an easy viewing position on top of the camera and can also be utilised as a high-definition viewfinder with the easily attached monocular viewfinder assembly

The LCD Screen can also be used to instantly review recorded footage, as well as access the camera's set-up menus and view thumbnail display status indications such as audio meters, depth-of-field indicators, and the remaining memory and battery time. What's more, the Hybrid LCD screen - which comprises transmissive and reflective panels - offers clear viewing even in bright sunlight.

*Viewable area measured diagonally.

Four Assignable Buttons

On-handle Zoom Switch and REC Start/Stop Button

On-handle Zoom Switch and REC Start/Stop Button

In order to facilitate zoom control and recording operation during low-angle shooting, an additional zoom switch and record start/stop button are located on the carrying handle.

Shot Transition™ Function

The Shot Transition function allows for smooth automatic scene transitions. The operator can program start and end settings for zoom, focus, and white balance into the A/B buttons and, by pressing the start button, a smooth transition will take place according to the set time. It works by automatically calculating the intermediate values during the scene transition. The start of this function can be synchronized with the camera's REC start function. The transition progress can be checked using an indicator displayed on the LCD monitor. In addition, a start timer function is also available for the Shot Transition function, helping to prevent operators from missing a shot.

This function is very useful when complex camera settings are required during the scene transition - for example, when shooting subjects moving from the background to the foreground of a scene.

Long Operating Time

With the supplied BP-U30 battery attached, the PMW-EX3 can record continuously for approximately two hours, while the optional BP-U60 battery extends the operating time to approximately four hours.

Wide Array of Interfaces

The PMW-EX3 camcorder comes equipped with a wide range of interfaces optimized for a variety of operational needs. These include an HD-SDI output, down-converted SD-SDI output, i.LINK (HDV) input/output, USB2 and analogue composite/component output.

Other Features

• ATW (Auto Tracing White Balance) 

• Built-in ND filter wheel: 1: Clear, 2: 1/8ND, 3: 1/64ND 

• Selectable gain: -3, 0, 3, 6, 9, 12, 18 dB 

• High-speed picture search: x4, x15 

• Freeze Mix function 

• Skin-tone Detail control 

• Low-key saturation 

• IR Remote Commander™ unit

Additional Information

Only SxS memory cards are guaranteed for use with the XDCAM EX. USB based memory cards cannot be used with the XDCAM EX range. USB based memory cards might work with the XDCAM EX range in some cases, but Sony does not guarantee that all the functions will operate. The performance of USB based memory cards can vary.

Technical Specifications - Matrox RTx 2

If you're a professional video editor concerned about getting maximum productivity from Adobe Premiere Pro CS4 and Adobe CS4 Production Premium, have a look at the Matrox RT.X2 product line – the ideal solutions for corporate communicators, event videographers, project studios, educational facilities and digital filmmakers. If you’re delivering your work in SD, Matrox RT.X2 SD is right for you. If you need to edit HDV, XDCAM EX, or P2 MXF 720p and output HD, choose Matrox RT.X2 LE or Matrox RT.X2. If you want to use a DVI display for full resolution HD previews, you’ll need RT.X2.

The Matrox RT.X2 platforms go far beyond the capabilities of software-only editing and systems that combine Adobe Premiere Pro CS4 and a simple I/O card.

The additional benefits you get with Matrox RT.X2 include:

• Many more realtime layers of video and graphics 

• More effects in real time including color correction, chroma/luma keying, speed changes, blur/glow/soft focus, 3D DVE and much more 

• Extensive camera support with Matrox RT.X2 and RT.X2 LE including many new models from Canon, JVC, Panasonic, and Sony 

• Realtime native editing of Sony XDCAM EX .mp4 clips with RT.X2 and RT.X2 LE 

• Realtime native editing of Panasonic P2 MXF 720p and SD files with Matrox RT.X2 and RT.X2 LE 

• Realtime capture from analog sources to compressed MPEG-2 4:2:2 I-frame 

• Realtime playback of 32-bit MPEG-2 I-frame AVI files with alpha 

• Realtime mixed-format multi-cam 

• Realtime MPEG-2 IBP capture from analog and DV sources for DVD authoring 

• Composite, Y/C, and analog component input and output 

• WYSIWYG video output for motion graphics, animation, and compositing applications 

• Audio VU meters on capture 

• Full-resolution HD monitoring with calibration control on an inexpensive flat panel display via independent DVI output with Matrox RT.X2 

With the Matrox RT.X2 platforms, you'll save time on every project so you can concentrate on creating your best work and building your business. There are a variety of products to choose from. Matrox RT.X2 and RT.X2 LE are available as a value-priced bundle with Adobe Premiere Pro CS4 or as hardware-only for use with your copy of the Adobe software. Matrox RT.X2 SD is available as hardware-only.

Key features of Matrox RT.X2 and RT.X2 LE

Professional realtime HD and SD editing

• Realtime, mixed-format, multi-layer workflows that combine HD and SD material from analog and digital sources 

• Realtime Matrox Flex CPU effects — color correction, speed changes, chroma/luma keying and many more 

• Realtime and accelerated Matrox Flex GPU effects — 2D/3D DVE, blur/glow/soft focus, shine and many more 

• Extensive camera support including many new models from Canon, JVC, Panasonic, and Sony 

• Realtime native HDV, XDCAM EX, P2 MXF 720p, and MPEG-2 4:2:2 I-frame HD editing 

• Realtime native HDV 1080i, HDV 1080p, HDV 720p (JVC ProHD), Panasonic P2 MXF 720p, and MPEG-2 4:2:2 I-frame HD editing 

• Native DV, DVCAM, DVCPRO, Panasonic P2 MXF SD, and MPEG-2 4:2:2 I-frame SD editing 

• Realtime playback of 32-bit MPEG-2 I-frame AVI files with alpha in HD and SD 

• Realtime mixed-format multi-cam 

• Realtime high-quality downscaling for analog SD output from an HD timeline 

• Realtime MPEG-2 IBP capture from analog and DV sources for DVD authoring 

• WYSIWYG for Adobe After Effects, Bridge, and Photoshop, Autodesk Combustion and 3ds Max, eyeon Fusion, NewTek LightWave 3D (32-bit versions) with dynamic Alt+Tab switching 

• Composite, Y/C, HD/SD analog component input and output 

• Full-resolution HD monitoring with calibration control on an inexpensive flat panel display via independent DVI output on RT.X2 

• Matrox RT.X2 and Matrox RT.X2 LE are available as a bundle with Adobe Premiere Pro CS4 or as hardware-only 

Key features of Matrox RT.X2 SD

Professional realtime SD editing

• Realtime multi-layer editing of video, graphics, and effects 

• Realtime Matrox Flex CPU effects – color correction, speed changes, chroma/luma keying and many more 

• Realtime and accelerated Matrox Flex GPU effects – 2D/3D DVE, blur/glow/soft focus, shine and many more 

• Realtime native DV, DVCAM, DVCPRO, and MPEG-2 4:2:2 I-frame SD editing 

• Realtime playback of 32-bit MPEG-2 I-frame AVI files with alpha in SD 

• Realtime HDV clip downscaling in an SD timeline 

• Realtime mixed-format multi-cam in an SD timeline 

• Realtime MPEG-2 IBP capture from analog and DV sources for DVD authoring 

• WYSIWYG for Adobe After Effects, Photoshop and Bridge, Autodesk Combustion and 3ds Max, eyeon Fusion, NewTek LightWave 3D (32-bit versions) with dynamic Alt+Tab switching 

• Composite, Y/C, and analog component SD input and output 

• Available as hardware-only for use with your copy of Adobe Premiere Pro CS4

Scalable system design

Your particular workflow requirements and budget will determine the specific components you should choose when designing your Matrox RT.X2 editing system. If your budget allows, you can combine a top-of-the-line computer system, the fastest GPU, and the largest, most robust storage subsystem to get the absolute maximum number of realtime layers and effects, in all cases. If your budget is more modest, there are many tradeoffs you can make to design an editing system that will give you maximum performance to do exactly what you need to do on a daily basis.

The Matrox RT.X2 platforms rely on the power of your CPU to perform Matrox Flex CPU effects and to decode and encode compressed video streams such as HDV and DV. They rely on the power of the GPU (Graphics Processing Unit) in your system to process Matrox Flex GPU effects. Note that what we refer to here as a GPU has various other names that may be more familiar to you, such as display card, graphics card, or VGA adapter. The type and size of storage you require depends largely on the video formats you are using and the number of hours of video you need to maintain online. Understanding your various options in each category will help you design the most economical system for your needs.

We continuously validate computers, motherboards, display cards, and storage subsystems and provide guidelines to enable you to make an informed choice as you choose the components for your own Matrox RT.X2 editing system or work with your Matrox RT.X2 dealer to specify a turnkey system.